A Most Violent Year Stream Unsere Bewertung
Du kannst "A Most Violent Year" bei Amazon Prime im Abo streamen oder bei Maxdome kaufen oder leihen. Klicke dich direkt zum Streaming-Anbieter - für. A Most Violent Year jetzt legal online anschauen. Der Film ist aktuell bei Amazon, Sky Store, iTunes, Google Play, freenet Video, Videobuster, Microsoft. A Most Violent Year [dt./OV]. ()IMDb 7,02 StdX-Ray New York, - das Jahr, das mit seiner Kriminalitätsrate als gefährlichstes in die. workingtri21.eu - Kaufen Sie A Most Violent Year günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Geschäftsmann Oscar Isaac versucht in A Most Violent Year, sich und seine Familie Die besten Streaming-Tipps gibt's im Moviepilot-Podcast Streamgestöber. Geschäftsmann Oscar Isaac versucht in A Most Violent Year, sich und seine Familie im korrupten New York des Jahres zu beschützen. Free-TV-Premiere: Abel Morales (Oscar Isaac) kam als Einwanderer aus Mexiko in die USA und kann stolz auf sich sein. Er hat es als Händler von Heizöl weit.
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A MOST VIOLENT YEAR - Bande Annonce Teaser Officielle (VOST) - Oscar Isaac / Jessica ChastainA Most Violent Year Stream A Most Violent Year 2014 Video
A MOST VIOLENT YEAR Trailer German Deutsch (2015)He wants to do it with his hands clean. It's how he defines himself, and how he picks his course of action. Alex Ebert's score is my favorite score so far, in November, and by a wide margin.
It's a fantastic score, so expressive, so important to the way the film works. This is a major theatrical experience. From a perfect first shot to a perfect last shot, I think this is a carefully considered movie.
Chandor's in full control over what he's doing at this point. He's been getting more aggressively stylized with each film. What he does here is not reality, and it's not meant to be.
His filmmaking is very experience-oriented. We feel what Abel feels. We're with him for most of the movie. There are scenes where we follow someone else, and in each case, it's meant to put us in he shoes of these people.
We're meant to feel just what it's like to try to navigate the enormous pressure they're all under, and there's a strong conversation to be had about how clean Abel's hands are at the end of the film.
Bradford Young's photography is impressive, considered, emotional. I want to watch this again in a theater, just to feel that mix, to feel that same pulse that is running through it from the start to the conclusion.
Ron Patane, who cut the film, tightens the screws in just the right way, bit by bit, and I'm impressed by not only where Chandor's story ends up, but how it feels when we get there.
Sometimes you just feel a different degree of control in what's happening onscreen. Sometimes you can feel that there's something special happening with the cast or in some other deepartment or, in the best case scenarios, in all of the departments at once.
I wasn't expecting whatever this film was. I am impressed by how adult it is, how confident it is, how sad it is, and yet how much it dares to say you can win after all, you can have it if you're willing to give yourself up completely.
It's dark. It's really scary on some level, because the stakes seem to be so very high. The entire cast deserves credit, but Chastain and Isaac are amazing, so in tune, so able to read each other in a scene that there's something happening, something real, in every one of their private conversations.
It's the reason I care about anything else. The mechanics of the business, the things that they do to keep it afloat, that's all only interesting because of how much it matters to these two people, and because they make it matter.
I thought "Margin Call" was fine. I thought "All Is Lost" was fine. I have liked the work of J. Chandor before now, but I was hardly a raving advocate.
I'm onboard the Chandor train this time, though. I think this is a pretty major piece of adult emotional entertainment, something special, and I hope we get a lot more like it from him.
An interesting movie. Not a crash, bang, boom - one violent, action scene after another, but a lot of ground was covered, if you paid attention.
It actually only gave us a look into a little over 30 days of that year. Life goes on - the good, the bad and the ugly. In real life, the legal problems, the investigations and hearings, would drag on for many yrs.
They may or may not beat the charges. Maybe, it was just bad bookkeeping. Larger buys from the oil producers will cut his cost of goods sold and it gives him the ability to service many more customers.
We get little glimpses as to the possible reasons - anger, resentment, jealousy and fear. The final conversation actually tells us a lot, if we listen.
It tells us about the past and the future. It tells us about his moral dilemmas. The most right action, the most right choice, the most right course to take.
A real life snap shot in time is what this movie was all about. See all reviews. Top reviews from other countries. It's sad that distributors of DVD and Blu-ray discs don't consider that the deaf and hard of hearing would like to watch the special features they put on their releases.
It's almost as if their consideration has limits. This release does have English subtitles for the main feature, but the extras have none, including the 45 minute making of feature.
Having enjoyed the film, I wanted to find out more about the cast and how the film came to be made, but Icon, like many other companies including sadly Criterion, don't consider me.
What is the point of putting subtitles for the deaf and hard of hearing on the main feature but not bothering when it comes to the extras?
Surely it wouldn't cut into your profit margins too much to go that extra mile. Filmed the style of a seventies slow burner and posing the question but set in the most violent year of - What would Michael Corleone do if he tried to operate within legal parameters?
His aim to close a major oil deal amidst the heat of the local bureau of investigations and coping with the underhand strategies of his cutthroat competitors.
Superbly acted and beautifully filmed. A film to watch and then rewatch to savour the cinematic experience.
The title is somewhat misleading in that the violence is marginal or hinted at rather than visibly carried out. But when done it is realistic and dramatic.
I thoroughly enjoyed this film as I liked the slow build up and loved the homage which I believe is deliberate to the Godfather films and other films in this era.
But be aware this is not a gangster film as such but a portrayal of staying legit when you are pushed to the very edge. Great movie. Nothing wrong with the acting at all but the plot of this film is just dull from beginning to end.
Don't be fooled by the cover who ever is? On the technical side, Bluray picture was pretty good, nice and sharp on a big cinema screen.
Audio, this is one of those annoying blurays where the sound blares out but once the actual film starts, the dialogue sound level in the film is a little too low although sound quality was overall very good.
Report abuse. One of the best crime dramas I've seen for a long time. It very much feels old school in it's style and delivery and you could imagine Al Pacino in the lead role in his younger years.
It has an epic feel to it, a slow build tale of one man's struggle to power and Oscar Isaac has the screen presence to deliver such a story. If your cloud DVR fills up, we'll make space by deleting your oldest recordings marked "Save until space is needed" first.
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There's all of their dealings with their lawyer Andrew Walsh Albert Brooks. There's a driver who gets attacked and pulled out of his truck, his jaw broken.
Julien Elyes Gabel wants to be like Abel. He looks at him as an example, as proof that you can make it happen if you work for it.
Even after he's attacked, he wants to believe in the example. When you think about fascinating industries to delve into on film, heating oil supply really doesn't sound like something I'd put on the top of a list.
I'd be wrong, though, because Chandor's script paints this amazing, detailed portrait of the world that Abel is trying to conquer.
It's not the whole world. He's not crazy. But it's his corner of things, and he wants to be able to say he did it the right way.
He wants to do it with his hands clean. It's how he defines himself, and how he picks his course of action. Alex Ebert's score is my favorite score so far, in November, and by a wide margin.
It's a fantastic score, so expressive, so important to the way the film works. This is a major theatrical experience. From a perfect first shot to a perfect last shot, I think this is a carefully considered movie.
Chandor's in full control over what he's doing at this point. He's been getting more aggressively stylized with each film.
What he does here is not reality, and it's not meant to be. His filmmaking is very experience-oriented. We feel what Abel feels.
We're with him for most of the movie. There are scenes where we follow someone else, and in each case, it's meant to put us in he shoes of these people.
We're meant to feel just what it's like to try to navigate the enormous pressure they're all under, and there's a strong conversation to be had about how clean Abel's hands are at the end of the film.
Bradford Young's photography is impressive, considered, emotional. I want to watch this again in a theater, just to feel that mix, to feel that same pulse that is running through it from the start to the conclusion.
Ron Patane, who cut the film, tightens the screws in just the right way, bit by bit, and I'm impressed by not only where Chandor's story ends up, but how it feels when we get there.
Sometimes you just feel a different degree of control in what's happening onscreen. Sometimes you can feel that there's something special happening with the cast or in some other deepartment or, in the best case scenarios, in all of the departments at once.
I wasn't expecting whatever this film was. I am impressed by how adult it is, how confident it is, how sad it is, and yet how much it dares to say you can win after all, you can have it if you're willing to give yourself up completely.
It's dark. It's really scary on some level, because the stakes seem to be so very high. The entire cast deserves credit, but Chastain and Isaac are amazing, so in tune, so able to read each other in a scene that there's something happening, something real, in every one of their private conversations.
It's the reason I care about anything else. The mechanics of the business, the things that they do to keep it afloat, that's all only interesting because of how much it matters to these two people, and because they make it matter.
I thought "Margin Call" was fine. I thought "All Is Lost" was fine. I have liked the work of J. Chandor before now, but I was hardly a raving advocate.
I'm onboard the Chandor train this time, though. I think this is a pretty major piece of adult emotional entertainment, something special, and I hope we get a lot more like it from him.
An interesting movie. Not a crash, bang, boom - one violent, action scene after another, but a lot of ground was covered, if you paid attention.
It actually only gave us a look into a little over 30 days of that year. Life goes on - the good, the bad and the ugly. In real life, the legal problems, the investigations and hearings, would drag on for many yrs.
They may or may not beat the charges. Maybe, it was just bad bookkeeping. Larger buys from the oil producers will cut his cost of goods sold and it gives him the ability to service many more customers.
We get little glimpses as to the possible reasons - anger, resentment, jealousy and fear. The final conversation actually tells us a lot, if we listen.
It tells us about the past and the future. It tells us about his moral dilemmas. The most right action, the most right choice, the most right course to take.
A real life snap shot in time is what this movie was all about. See all reviews. Top reviews from other countries. It's sad that distributors of DVD and Blu-ray discs don't consider that the deaf and hard of hearing would like to watch the special features they put on their releases.
It's almost as if their consideration has limits. This release does have English subtitles for the main feature, but the extras have none, including the 45 minute making of feature.
Having enjoyed the film, I wanted to find out more about the cast and how the film came to be made, but Icon, like many other companies including sadly Criterion, don't consider me.
What is the point of putting subtitles for the deaf and hard of hearing on the main feature but not bothering when it comes to the extras? Surely it wouldn't cut into your profit margins too much to go that extra mile.
Filmed the style of a seventies slow burner and posing the question but set in the most violent year of - What would Michael Corleone do if he tried to operate within legal parameters?
His aim to close a major oil deal amidst the heat of the local bureau of investigations and coping with the underhand strategies of his cutthroat competitors.
Superbly acted and beautifully filmed. A film to watch and then rewatch to savour the cinematic experience. The title is somewhat misleading in that the violence is marginal or hinted at rather than visibly carried out.
But when done it is realistic and dramatic. I thoroughly enjoyed this film as I liked the slow build up and loved the homage which I believe is deliberate to the Godfather films and other films in this era.
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Due to licensing agreements, some content can only be viewed on your in-home WiFi. After September, support for Internet Explorer 11 will be discontinued.
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A Most Violent Year Trailer Official - Oscar Isaac, Jessica Chastain
