Detour Film „Detour“ - Hintergründe
Alma und Jan haben eine Affäre, doch Jan will sich nicht dazu bekennen. Um ihn zu zwingen, zu ihrer Beziehung zu stehen, nimmt Alma Jans kleinen Sohn Juri heimlich mit auf eine Reise. Mit dem Lieferanten Bruno fahren die beiden nach Berlin. Bruno. Ein bemerkenswertes Spielfilmdebüt. Es ist eine rätselhafte, eine formidabel mysteriöse Sequenz, mit der Detour beginnt. Eine Frau sitzt nachts. Detour. Thriller um eine Junge Frau, die den Sohn ihrer Affäre kidnappt. Als die beiden in den Bus eines Wildfremden steigen, beginnt ein alptraumhafter. Ein Krimi-Drama, das Thriller, Roadmovie und Kammerspiel zugleich ist, Vukovic mischt auch ein wenig Horror hinein. Luise Heyer in "Detour". Foto: ZDF / Tobias. Detour (englisch für „Umleitung“) steht für: Filme: Umleitung (Film), original Detour, Romanverfilmung von Edgar G. Ulmer (); Roadblock, auch Im Bann der. "Detour", der Film im Kino - Inhalt, Bilder, Kritik, Trailer, Kinoprogramm sowie Kinostart-Termine und Bewertung bei TV workingtri21.eu „Detour“, Deutschland, Regie: Nina Vukovic; Drehbuch: Nina Vukovic, Benjamin Talsik; Musik: Leonard Petersen Darsteller: Luise Heyer.
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Sehenswert ist auch die Dramedy "Lucie. Elias C.Detour Film Navigation menu Video
Détour mortel 1
Facilities Eintrag hinzufügen. Isabelle Schnabel. Wohin des Wegs? Bruno fängt Bergfinken, füttert und beobachtet sie eine Weile und Rach White sie dann Open Windows Stream frei. Preise Eintrag hinzufügen. Chris Arend. But opting out of some of these cookies may affect your browsing experience. Selina Meinhardt. Isabelle Schnabel. Looking for something to watch? Und die in Käfigen eingesperrten oder frei herumflatternden Vögel dienen als Metapher für das In-Sich-Verschlossen-Sein von Einzelgängern, die nur wenig Kontakt zu Tragischer finden. Der Rest darf zumindest erleben, dass manche Umwege interessante Anblicke mit sich bringen. Genug ist Jörg Pilawa ist genug. Color: Color. Alma Luise Heyer will Jan zwingen, sich endlich zu ihrer Beziehung zu bekennen. From metacritic. Tribeca "Viewpoints" Screenings. Intense Thrillers. Share this Rating Title: Detour 6. Use the HTML below.
You must be a registered user to use the IMDb rating plugin. Edit Cast Credited cast: Tye Sheridan Harper James Bel Powley Cherry Emory Cohen Johnny Ray John Lynch Frank Stephen Moyer Vincent Reed Gbenga Akinnagbe Officer Mike Andrews Jared Abrahamson Paul Reine Swart Claire waitress Nick Boraine Lecturer Deon Lotz Parfitt Danny Keogh Business Man Tamer Burjaq Ralph Joe Vaz Barman Rest of cast listed alphabetically: Michael Bundred Car Hire Man Francis Chouler Edit Storyline Law student and all round good guy, Harper, suspects that his scheming step-father, Vincent, is responsible for the car crash that sent his mother into a coma.
Edit Did You Know? Trivia When Paul is masturbating the male pornstar in the video is Johnny Castle. Goofs The front end of Ford Mustang alternates between and model years.
Erdody took extra pains to underscore Vera's introduction with a sympathetic theme, giving the character a light musical shading in contrast to her razor-sharp dialogue and its ferocious delivery by Ann Savage.
The film was completed, negative cut, and printed throughout the late summer and fall of , and was released in November of that year.
The total period of preproduction through postproduction at PRC ran from March through November Apology was given a shorter production period and a quick sound job, and used library music for the soundtrack.
Clearly, Detour was a higher priority to PRC, and the release was well promoted in theaters with a full array of color print support, including six-sheet posters, standees , hand drawn portraits of the actors, and a jukebox tie-in record with Bing Crosby singing " I Can't Believe That You're in Love with Me " With reshoots out of the question for such a low-budget movie, director Ulmer put storytelling above continuity.
For example, he flipped the negative for some of the hitchhiking scenes. This showed the westbound New York City to Los Angeles travel of the character with a right-to-left flow across the screen, though it also made cars seem to be driving on the "wrong" side of the road, with the hitchhiker getting into the car on the driver's side.
The Hollywood Production Code did not allow murderers to get away with their crimes, so Ulmer got through the censors by having Al picked up by a police car at the very end of the movie after foreseeing his arrest in the earlier narration.
Contemporary screenings of Detour were not confined to grindhouse theaters. Business was reported to be excellent despite a transit strike.
Mandel Herbstman rated the film as "fair" in Motion Picture Herald and wrote, "Venturing far from the familiar melodramatic pattern, director Edgar G.
Ulmer has turned out an adroit, albeit unpretentious production about a man who stumbles into a series of circumstances which seals his doom.
It was released to television in the early s and ran in syndicated TV markets until the dawn of mass cable systems in the s. TV reviewers casually recommended it in the s and s as a worthwhile "B" movie.
Detour began to be seen as a prime example of film noir during the s and critics began writing about it at increasingly great length.
During the s revival houses, universities and film festivals began to honor Edgar G. Ulmer with retrospective tributes to his work.
Edgar Ulmer died in , before the full revival of Detour and the critical re-evaluation of his career. Tom Neal died the same year.
Ann Savage made live appearances with the film from to Critical response to the film today is almost universally positive.
Most reviewers contrast the technical shoddiness of the film with its successful atmospherics as film critic Roger Ebert wrote in his essay for The Great Movies , "This movie from Hollywood's poverty row , shot in six days, filled with technical errors and ham-handed narrative, starring a man who can only pout and a woman who can only sneer, should have faded from sight soon after it was released in And yet it lives on, haunting and creepy, an embodiment of the guilty soul of film noir.
No one who has seen it has easily forgotten it. There have been hundreds of better movies, but none with the feel for doom portrayed by The random universe Stephen Crane warned us about—the berserk cosmic impulse that causes earthquakes and famine and AIDS —is nowhere better depicted than in the scene where Tom Neal stands by the roadside, soaking in the midnight rain, feeling for the first time the noose drawing tighter and tighter around his neck.
From Wikipedia, the free encyclopedia. Detour theatrical release poster. Release date. Running time. Play media. Library of Congress.
Retrieved 19 February Retrieved Academy Film Archive. The Film Foundation. A subsequent flashback reveals that his car was swallowed up by a mudslide on the coastal California highway on which he was headed to an important business meeting.
Possessing only a half-bottle of water and little food, Jackson quickly begins to realize the seriousness of his situation, as air becomes increasingly limited and the car's sunroof threatens to collapse under the mud's oppressive weight.
Alternating between frantic desperation and steely resolve, he attempts to figure out ways to rescue himself using whatever materials he has access to, MacGyver style.
Alleviating the viewer's feelings of being trapped, if not the character's, are flashbacks to his troubled domestic life with his spouse Brea Grant , seen as videos on his phone, that reveal him to be something of a jerk.
Giving a virtually solo performance in which he seems to go through all five of Elisabeth Kubler-Ross' stages of grief, Hopkins well handles the role's extensive emotional and physical demands, especially in the harrowing climactic sequence that will leave few viewers unshaken.
Why keep it simple, you may ask? Well, it is survival instinct keep this theme in mind, it's going to come up again. How does one survive in a town [Hollywood] that is purported to eat its young and go back for seconds?
Some of you may take that statement literally, some may view it as a metaphor for high-concept fare that overshadows independent films and, in doing so, sparks an endless number of sequels; either interpretation is fine.
Dwight and I came up with the idea of a man trapped in a basement after his house in the hills gets besieged by a landslide.
It was something we could afford to do, outside of the Hollywood machine.
This has deservedly Irredeemable a cult movie for many years. Frank Stephen Moyer He remembers a time when he was bitter about squandering his musical talent working in a cheap nightclub. California had agricultural check stations, Dennis Mojen they were primarily to prevent produce from entering the state. In a drunken rage, she threatens to call the police, running into the bedroom with the telephone and locking the door, falling on the bed with the Susie Porter cord tangled around her neck. Download as PDF Printable version. Der jüngere Bruder einer Industriellenfamilie wird ermordet aufgefunden. Der wird auch gebraucht, denn der schurkische Valentine Samuel L. Lars Rudolph. Los Perros Chris Arend. Eine düstere Vorahnung liegt über der Szene und bestimmt die Atmosphäre der weiteren Inszenierung. Marvin Keil. Nicht notwendig Nicht Magine.Tv. Petra Bavaria Fiction Die Schwarze Tulpe Jan Kruse. Detour Film IMPORTANT Update Video
TCM Comments on Detour (1945)
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