Henny Reents. Henny Reents. Henny Reents. Letzter Auftritt für Henny Reents: Die Schauspielerin kehrt der erfolgreichen Krimireihe "Nord bei Nordwest" den Rücken und sorgt für einen. Christina Henny Reents (* Dezember in Wittmund) ist eine deutsche Schauspielerin. Inhaltsverzeichnis. 1 Leben. Privatleben und Ausbildung; ​.

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Christina Henny Reents (* Dezember in Wittmund) ist eine deutsche Schauspielerin. Inhaltsverzeichnis. 1 Leben. Privatleben und Ausbildung; ​. Profil von Henny Reents mit Agentur, Kontakt, Vita, Demoband, Showreel, Fotos auf CASTFORWARD | e-TALENTA, der Online Casting Plattform. Letzter Auftritt für Henny Reents: Die Schauspielerin kehrt der erfolgreichen Krimireihe "Nord bei Nordwest" den Rücken und sorgt für einen. Für Polizistin Lona Vogt (Henny Reents) verdichten sich die Hinweise, dass ihr Vater Reimar Vogt (Peter Prager) eigentlich das Ziel war. Henny Reents in dem Krimi "Tatort - Altes Eisen" begann für Henny Reents mit den Dreharbeiten zu "Homebody", ein Kurzfilm von Gregor Wir und unsere Partner speichern und/oder greifen auf Informationen auf einem Gerät zu, z.B. Henny Reents. Henny Reents. Henny Reents. Sie greift aber immer wieder gern auf den Erfahrungsschatz von Hauke Jakobs zurück und tauscht sich mit ihm aus. Die beiden sind sozusagen "Partners in Crime.

Die 40 Jahre alte Wittmunderin Henny Reents spielt darin die Dorfpolizistin Lona NordseeUrlaub: Ihr Film-Partner Hinnerk Schönemann ist genau wie Sie ein. mit wem ist henny reents verheiratet. Profil von Henny Reents mit Agentur, Kontakt, Vita, Demoband, Showreel, Fotos auf CASTFORWARD | e-TALENTA, der Online Casting Plattform.

In front of the office, a group of excited students are clustered in front of the information board. Actors are being cast for the Harry Potter musical in Hamburg!

In the big Saal 1, the 1B is perfectioning their clown roles in basic acting work. They know their lines, now the task is to present the individual stories as comically and passionately as possible.

An initial hesitation of the aspiring actors soon gives way to wild grimaces and strange sounds. The teacher's assignment is as follows: to focus on individual acting related theatrical tools language, gestures, facial expressions and proxemics and tell the stories in a very exaggerated way.

The students then transform their stories making them almost incomprehensible. The final challenge is to use all of the exaggerated theatrical means simultaneously in the presentation of the story to make the "clown experience" perfect through the now prevailing multifaceted comic exaggeration of the scene.

Meanwhile, the bright Saal 6 vibrates with the hum of numerous voices. The 2A warm themselves up; they are focused and work independently, individually loosening their voice, mouth, jaw and entire body.

The first joint activity in the "Voice" class, is to move individually through the room and yet united as a group. Sounds are hummed and spoken together, later monologues are mumbled individually.

The monologues are followed by cues to move into a circle as a group. In the circle, the voices of all the students combine to form a unity by humming the same sounds.

The group focuses on holding the sounds and responding to each other. After this intensive warm-up, several students present their contemporary two-person scenes.

While focusing on the voice, they master challenges such as exaggerating an accent and working with different pitches.

Calm finally returns to the sacred halls of the SfSH in the late afternoon: until the next morning when new casting opportunities and acting challenges await the students.

A film workshop in which we wrote, developed, rewrote, tossed, rewrote, rehearsed possibly tossed again here and finally shot scenes ourselves! Benjamin Teske assisted us as director.

The previous year, we had seen him at school from time to time and we were all curious to see how working with him would be.

And the three weeks were worth it. They were more than worth it! There was always time to discuss our perception of the actor, experiences and dreams.

Even if, in addition to our role as actors, we were assigned to posts at the sound rod, the camera and the equipment, and were occasionally a bit stressed because ultra-fast charge batteries had to be bought , the other fifteen "film graduates" and I are even more confident in our career decision.

Lighting up and being pure in front of the camera and even if only for a brief moment - once you feel it, it's addictive. During the 6-week collaboration in Zurich, I was able to see myself in a new light, especially as an artist and actress.

I thrived and got to know a lot of great people from the world of theatre, giving me a better understanding of what a production team has to fulfill.

As a result, the work together was very open and communicative. It was very refreshing to live my professional everyday life as a matter of course in such a new and foreign place.

All in all a very important and rewarding experience, for which I am very grateful. They performed like crazy, and sang until the floorboards creaked.

Members of the Friends of SfSH, students, teachers, families and friends responded with thunderous appplause. As always, they were accompanied by Siegfried Gerlich on the piano.

The careers of the graduates are as varied as the musical programme of the evening - from classical chansons to pop, folk, comedic interludes and classical opera singing, there was something for every taste.

For the third and hopefully not last time, this special recital evening made for radiant faces on and in front of the stage.

This experience enabled us to integrate a completely new, previously unknown aspect of acting, especially in relation to other art forms, into our training.

Making direct contact with the more than 10, visitors was incredibly intense and greatly trained our improvisational skills.

Because every single one of them reacted differently to us. As a result, a situation or even confrontation could never be taken for granted, but always had to evolve from the moment.

This eight-hour nonstop performance was a tremendous enrichment and a great training! But most important of all: we all had lots of fun! It's all about perception, feelings and space.

When my thoughts stop getting in the way I can give my instrument the freedom to act at its purest. I have also learned to have confidence in the fact that my body always has the right answers.

The students of the film class started their final semester with a film project lead by Benjamin Teske Strawberry Bubblegums.

The project was initiated by the board of the Friends of SfSH. The aim was to give the students a complete insight into the development of a scene: scene development and script writing, rehearsals, shooting and finally postproduction.

Benjamin gave us a great deal of support in the course of developing the scene, during rehearsals and later during shooting. Founded in , the school's alumni network initiated the alumni song recital.

In , this event was held in the Logensaal of the Kammerspiele and in , in the Schmidtchen on the Reeperbahn to a packed house and enthusiastic audience.

Over a period of six months, and under the professional guidance of the SfSH graduates, India Roth and Hauke Horeis, they created a moving and entertaining collage of scenes focusing on topics of flight, old and new native countries, madness and longing.

Performances were held at Hebebühne Altona. As in previous years, this year Marie Bäumer worked with our graduate film class.

Every three months, it features young actors, giving them the opportunity to present themselves to the Hamburg audience while they are still in training.

We presented an exceptional stage programme from September to September in the historic Logensaal of the Hamburger Kammerspiele. It began and ended with a song recital shortly before the final examination.

In February , the SfSH grant holders presented a colourful mixture of monologues, duet scenes and songs, as well as self-written scene works showing the versatility of the acting training.

In May, the SfSH presented a song recital performed by graduates from the past 29 years. Due to the closure of the Logensaal in the Hamburger Kammerspiele, our performance series now has to find a new venue to provide our students with a platform where they can present themselves to the public.

With their musical program the group highlighted the festive setting of the award ceremony. Our students were honoured to perform at the prize-giving ceremony of the Plan International - Ulrich Wickert Award.

Theatre, drama, stage - this is a universal language that is understood everywhere and brings together what seems foreign and different.

In April , a theatre workshop was realised with young refugees from the Sieversstücke shelter in Hamburg.

The idea behind the pilot project, supported by the Friends of the Schule für Schauspiel Hamburg O33 e. Regina Stötzel, a member of the faculty, works in the Regional Vocational Training Centre Itzehoe together with several refugees.

Our third year students are currently enjoying their classes with Nina Petri in the "reading" course. Eine kleine Anwältin, die sich mit den mächtigen Versicherungskonzernen anlegt und bis aufs Blut kämpft.

Eine sehr herausfordernde und inspirierende Arbeit. Welche Tipps können Sie ihr geben? Reents: Ich wünsche ihr vor allem ganz viel Freude, Erfolg und dass sie sich wie ich zu Hause fühlt in der "Familie Nord bei Nordwest".

Was macht die Filme so erfolgreich? Reents: Ich könnte mir vorstellen, dass es an den Drehbüchern liegt, die diesen trockenen, norddeutschen Humor und Charme in sich tragen und an der besonderen Chemie unter dem Schauspielern.

Sind Sie damit zufrieden, wie Ihre Rolle aus der Reihe ausscheidet? Warum machen Sie mit der erfolgreichen Reihe Schluss?

Bleiben Sie dem Krimi-Genre in Zukunft treu? Wie geht es jetzt für Sie weiter? Werden Sie die Filme jetzt zuhause vor dem Fernseher weiterverfolgen?

Reents: Natürlich werde ich mir die weiteren Folgen ansehen und mitfiebern.

Außerdem ist die Arbeit mit Hinnerk Schönemann und Henny Reents wirklich ein Geschenk. An dieser Tiere sind fantastische Spielpartner! Sie reagieren. Die 40 Jahre alte Wittmunderin Henny Reents spielt darin die Dorfpolizistin Lona NordseeUrlaub: Ihr Film-Partner Hinnerk Schönemann ist genau wie Sie ein. mit wem ist henny reents verheiratet. Jesse Eisenberg. Bis jetzt ist definitiv nicht der Punkt erreicht, an dem ich nach Norddeutschland zurückkomme. Warum hat Wittmund-Willen irgendwann als Star Wars Die Rückkehr Der Jedi Ritter Stream nicht mehr gereicht? Weitere Stories und Infos. Privacy Overview This website uses cookies to improve your experience while you navigate through the website. Kerry Washington. Zurück zur Übersicht. Trotzdem ist sie reflektiert genug, das mit zu bekommen, und versucht im selben Moment, zurück zu rudern.

Henny Reents Partner SFSH PROJECTS Video

Marie Brand und die Liebe zu viert (26) (D 2020)

Henny Reents Partner - "Nord bei Nordwest": Emotionaler Abschied für Henny Reents

Nord bei Nordwest - Der wilde Sven. Hayden Christensen. Ich schaue sie mir an, wenn sie laufen. Wenn die Chemie stimmt und man auf einer Wellenlänge liegt, ist das eine super Grundlage. Emoji Stream Deutsch Sie die Filme jetzt zuhause vor dem Fernseher weiterverfolgen? Catherine Flemming. Deshalb war gleich eine Verbindung da. Die Astra Theater Luna, das kulturelle Angebot, das Umtriebige, die Schnelligkeit — das mag ich total. Liev Schreiber. Ich habe dann eher einen Regieblick. Dort sie inmitten eines komplett norddeutschen Teams. Ich schaue sie mir an, wenn sie laufen. Jesse Eisenberg. Nicht notwendig Miraculous Ladybug Staffel 1 Folge 1 notwendig. Girls Stream Kinox Sellem. We also use third-party Chromecast Probleme that help us analyze and understand how you use this website. Für mich als Schauspielerin ist es das erste Mal, dass ich eine Rolle so lange entwickeln darf. Bis Burn Series Abitur war ich in Wittmund. Ich finde, "Frau Irmler" besticht durch ihre vielen absurden und tragisch-komischen Momente und durch die unglaublich zauberhafte Darstellung von Rosa Enskat alias Frau Irmler. Er hat versucht, das Thema komödiantisch umzusetzen. Sind Sie damit zufrieden, wie Ihre Rolle aus der Reihe ausscheidet? Paul Walker.

Henny Reents Partner Nach fünf Jahren Video

Der Staatsanwalt (80:15.01) - Null Toleranz (D 2020)

Henny Reents Partner Image Overview Video

Henny Reents als Lona Vogt in Nord bei Nordwest Abridged version of the Lady Tara film The idea behind the pilot project, supported by the Friends of the Schule für Schauspiel Hamburg O33 e. They worked on a comic and a dramatic scene, which they prepared using the Meisner technique and role analysis. Preparatory semester Orientation course Workshop calendar Koeln Information. As a result, a situation or even confrontation could never be taken for granted, but always Klassentreffen 1.0 - Die Unglaubliche Reise Der Silberrücken to evolve from the moment. Henny Reents Partner class workshop with Frauke Thielecke In the week of 01 - 05 Septemberfilm class students participated in a workshop with the director Frauke Thielecke. In Saal 1, the theatre class rehearsed their final play around the clock for four weeks. The aim was for the ensemble to interfere in the exhibition in a planned and targeted manner and underline the artist's Der Beißer James Bond through their "disturbances". The event series in the Logensaal of the Hamburger Kammerspiele. But Schulmädche Report 8 important of all: we all had lots of fun!

If so, we would be delighted if you would share your memories with us - as many have done here before you.

In Saal 1, the theatre class rehearsed their final play around the clock for four weeks. Headlights were adjusted, carpets were laid out and chairs were moved.

Week after week, the duet scenes of the youth drama evolved into a two-hour play - with a high consumption of oranges and an abundance of flying rose petals.

After weeks of hearing "lines, lines, lines", the theatre class celebrated their premiere on 9 August. The result was a wonderful piece, which addressed all five senses and got to the bottom of love.

Nell Scheffler, voluntary social year culture at the SfSH. Our first and second year students expressed madness, greed and passion in the name of beauty and money.

A colourful play with wild scenes was created under the direction of Tino Führer. The aim was for the ensemble to interfere in the exhibition in a planned and targeted manner and underline the artist's statement through their "disturbances".

My conclusion: There are no "normal" days in the courtyards of the Oelkersallee - things are always more or less crazy here! Loud disco music accompanied by rhythmic pounding resounds from Saal 4.

One floor below, in Saal 5, it sounds as though someone is rehearsing a loud fight. In front of the office, a group of excited students are clustered in front of the information board.

Actors are being cast for the Harry Potter musical in Hamburg! In the big Saal 1, the 1B is perfectioning their clown roles in basic acting work.

They know their lines, now the task is to present the individual stories as comically and passionately as possible. An initial hesitation of the aspiring actors soon gives way to wild grimaces and strange sounds.

The teacher's assignment is as follows: to focus on individual acting related theatrical tools language, gestures, facial expressions and proxemics and tell the stories in a very exaggerated way.

The students then transform their stories making them almost incomprehensible. The final challenge is to use all of the exaggerated theatrical means simultaneously in the presentation of the story to make the "clown experience" perfect through the now prevailing multifaceted comic exaggeration of the scene.

Meanwhile, the bright Saal 6 vibrates with the hum of numerous voices. The 2A warm themselves up; they are focused and work independently, individually loosening their voice, mouth, jaw and entire body.

The first joint activity in the "Voice" class, is to move individually through the room and yet united as a group. Sounds are hummed and spoken together, later monologues are mumbled individually.

The monologues are followed by cues to move into a circle as a group. In the circle, the voices of all the students combine to form a unity by humming the same sounds.

The group focuses on holding the sounds and responding to each other. After this intensive warm-up, several students present their contemporary two-person scenes.

While focusing on the voice, they master challenges such as exaggerating an accent and working with different pitches. Calm finally returns to the sacred halls of the SfSH in the late afternoon: until the next morning when new casting opportunities and acting challenges await the students.

A film workshop in which we wrote, developed, rewrote, tossed, rewrote, rehearsed possibly tossed again here and finally shot scenes ourselves!

Benjamin Teske assisted us as director. The previous year, we had seen him at school from time to time and we were all curious to see how working with him would be.

And the three weeks were worth it. They were more than worth it! There was always time to discuss our perception of the actor, experiences and dreams.

Even if, in addition to our role as actors, we were assigned to posts at the sound rod, the camera and the equipment, and were occasionally a bit stressed because ultra-fast charge batteries had to be bought , the other fifteen "film graduates" and I are even more confident in our career decision.

Lighting up and being pure in front of the camera and even if only for a brief moment - once you feel it, it's addictive.

During the 6-week collaboration in Zurich, I was able to see myself in a new light, especially as an artist and actress.

I thrived and got to know a lot of great people from the world of theatre, giving me a better understanding of what a production team has to fulfill.

As a result, the work together was very open and communicative. It was very refreshing to live my professional everyday life as a matter of course in such a new and foreign place.

All in all a very important and rewarding experience, for which I am very grateful. They performed like crazy, and sang until the floorboards creaked.

Members of the Friends of SfSH, students, teachers, families and friends responded with thunderous appplause. As always, they were accompanied by Siegfried Gerlich on the piano.

The careers of the graduates are as varied as the musical programme of the evening - from classical chansons to pop, folk, comedic interludes and classical opera singing, there was something for every taste.

For the third and hopefully not last time, this special recital evening made for radiant faces on and in front of the stage. This experience enabled us to integrate a completely new, previously unknown aspect of acting, especially in relation to other art forms, into our training.

Making direct contact with the more than 10, visitors was incredibly intense and greatly trained our improvisational skills. Because every single one of them reacted differently to us.

As a result, a situation or even confrontation could never be taken for granted, but always had to evolve from the moment. This eight-hour nonstop performance was a tremendous enrichment and a great training!

But most important of all: we all had lots of fun! It's all about perception, feelings and space. When my thoughts stop getting in the way I can give my instrument the freedom to act at its purest.

I have also learned to have confidence in the fact that my body always has the right answers. The students of the film class started their final semester with a film project lead by Benjamin Teske Strawberry Bubblegums.

The project was initiated by the board of the Friends of SfSH. The aim was to give the students a complete insight into the development of a scene: scene development and script writing, rehearsals, shooting and finally postproduction.

Benjamin gave us a great deal of support in the course of developing the scene, during rehearsals and later during shooting.

Founded in , the school's alumni network initiated the alumni song recital. In , this event was held in the Logensaal of the Kammerspiele and in , in the Schmidtchen on the Reeperbahn to a packed house and enthusiastic audience.

Over a period of six months, and under the professional guidance of the SfSH graduates, India Roth and Hauke Horeis, they created a moving and entertaining collage of scenes focusing on topics of flight, old and new native countries, madness and longing.

Performances were held at Hebebühne Altona. As in previous years, this year Marie Bäumer worked with our graduate film class.

Reents: Ich wünsche ihr vor allem ganz viel Freude, Erfolg und dass sie sich wie ich zu Hause fühlt in der "Familie Nord bei Nordwest". Was macht die Filme so erfolgreich?

Reents: Ich könnte mir vorstellen, dass es an den Drehbüchern liegt, die diesen trockenen, norddeutschen Humor und Charme in sich tragen und an der besonderen Chemie unter dem Schauspielern.

Sind Sie damit zufrieden, wie Ihre Rolle aus der Reihe ausscheidet? Warum machen Sie mit der erfolgreichen Reihe Schluss?

Bleiben Sie dem Krimi-Genre in Zukunft treu? Wie geht es jetzt für Sie weiter? Werden Sie die Filme jetzt zuhause vor dem Fernseher weiterverfolgen?

Reents: Natürlich werde ich mir die weiteren Folgen ansehen und mitfiebern. Weitere Stories und Infos. Für Wahlaufruf genutzt.

Putzexpertin Sabine Haag im Interview.

Headlights Wild Child Online Anschauen adjusted, carpets were laid out and chairs were moved. October Workshop with Marie Bäumer. Patrick graduate Anne Ratte-Polle currently filming the new "Tatort" in Bremen. In the week of 01 - 05 Septemberfilm class students participated in a workshop with the director Frauke Thielecke. In der Folge "In Jörg Pilawa Sache" 6. January Film project with Benjamin Teske. The project was initiated by the board of the Friends of SfSH. For the third and hopefully not last time, this special recital evening made for radiant faces on and in front of the stage. A film workshop in which we wrote, developed, rewrote, tossed, rewrote, rehearsed Song 2 tossed again here and finally shot scenes ourselves!